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歌詞の解釈と歌唱表現・主体性
https://lib.cku.repo.nii.ac.jp/records/1587
https://lib.cku.repo.nii.ac.jp/records/1587c0a13b69-b18c-4bb7-8262-4c3d8c1782eb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Bulletin of Chiba Keizai Collge18_04.pdf (2.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper_03(1) | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2022-03-31 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | 歌詞の解釈と歌唱表現・主体性 | |||||||||||||
| 言語 | ja | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | Interpretation of Lyrics, Expression of Song and Subjectivity | |||||||||||||
| 言語 | en | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | interpretation | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | lyrics | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | expression of song | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | subjectivity | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | teaching materials | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| 著者 |
小池, 順子
× 小池, 順子
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| Abstract | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | This paper aims to elucidate that interpretating of Lyrics of directly connects how music expression is expressed and moves the conscious of the subject. The lyrics of teaching materials seem easy to understand. However, being interpretated those deeply, the lyrics could disclose its implicit meanings. Only then the lyrics confront to“ me” that have otherness. when“ I” confront the otherness of the lyrics, we can consider deep meanings of the song and how the song should be expressed. On the same time, “I”, as each subject, could be moved to review “my” own concept about the words. This process means that“ my” consciousness change, that is, movement of“ my” consciousness occurs. That movement should be called subjectivity of subject. And the above“ I” have to be a music teacher because the interpretation of the lyrics is an important work, beside a teacher has to be a subject who is aware of his/her own subjectivity. |
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| 書誌情報 |
ja : 千葉経済大学短期大学部研究紀要 en : Bulletin of Chiba Keizai College 号 18, p. 25-33, 発行日 2022-03-31 |
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| 出版者 | ||||||||||||||
| 言語 | ja | |||||||||||||
| ISSN | ||||||||||||||
| 収録物識別子タイプ | EISSN | |||||||||||||
| 収録物識別子 | 2189034X | |||||||||||||
| 書誌レコードID | ||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AA12694310 | |||||||||||||
